HRD Radio Report – Week Ending 5/30/20
Each week on HardRockDaddy.com. The HRD Radio Report digs deeper into the weekly Active Rock charts, providing commentary, reviews, recommendations and predictions. It also features opinion pieces on chart action and the music business in general. The following is the Active Rock Mediabase Chart for the week ending 5/30/20. All exclusive HRD content is featured below the chart:
CHART | CHART | ARTIST | SONG TITLE | RADIO |
POSITION | POSITION | SPINS | ||
THIS WEEK | LAST WEEK | |||
1 | 1 | GODSMACK | Unforgettable | 1766 |
2 | 3 | BAD WOLVES | Sober | 1559 |
3 | 2 | GREY DAZE | Sickness | 1494 |
4 | 4 | FALLING IN REVERSE | Popular Monster | 1327 |
5 | 9 | FIVE FINGER DEATH PUNCH | A Little Bit Off | 1200 |
6 | 7 | KORN | Can You Hear Me | 1199 |
7 | 6 | OZZY OSBOURNE (f. ELTON JOHN) | Ordinary Man | 1147 |
8 | 8 | ASKING ALEXANDRIA | Antisocialist | 1133 |
9 | 5 | PEARL JAM | Superblood Wolfmoon | 885 |
10 | 13 | VOLBEAT | Leviathan | 846 |
11 | 12 | HIGHLY SUSPECT | These Days | 826 |
12 | 11 | CORY MARKS | Outlaws & Outsiders | 794 |
13 | 20 | PRETTY RECKLESS | Death By Rock And Roll | 747 |
14 | 16 | THE HU (f. JACOBY SHADDIX) | Wolf Totem | 698 |
15 | 14 | A DAY TO REMEMBER | Resentment | 696 |
16 | 15 | MOTIONLESS IN WHITE | Another Life | 662 |
17 | 18 | SHINEDOWN | Atlas Falls | 639 |
18 | 19 | POP EVIL | Work | 580 |
19 | 17 | IN THIS MOMENT | The In-Between | 533 |
20 | 23 | THEORY OF A DEADMAN | World Keeps Spinning | 501 |
21 | 22 | BUSH | Flowers On A Grave | 472 |
22 | 21 | KILLSWITCH ENGAGE | I Can’t Be The Only One | 462 |
23 | 25 | STARSET | Trails | 422 |
24 | 26 | SAINT ASONIA | Blind | 403 |
25 | 24 | GREEN DAY | Oh Yeah! | 380 |
26 | 27 | SKILLET | Save Me | 377 |
27 | 28 | DED | A Mannequin Idol (Lullaby) | 311 |
28 | 30 | THE BLACK MOODS | Sunshine | 277 |
29 | 29 | SCOTT STAPP | Survivor | 270 |
30 | 32 | THROUGH FIRE | Listen To Your Heart | 259 |
31 | 31 | BIFFY CLYRO | Instant History | 255 |
32 | 33 | TRIVIUM | Bleed Into Me | 234 |
33 | 40 | WEEZER | Hero | 211 |
34 | 34 | RED | The War We Made | 200 |
35 | 37 | KILLERS | Caution | 157 |
36 | 42 | CROBOT | Gasoline | 147 |
37 | 39 | AMITY AFFLICTION | Soak Me In Bleach | 130 |
38 | 35 | KALEO | Break My Baby | 108 |
39 | 41 | FIT FOR A KING | Breaking The Mirror | 97 |
40 | 47 | FAME ON FIRE | Headspace | 82 |
41 | 45 | SLEEP SIGNALS | Fireproof | 79 |
42 | 43 | STITCHED UP HEART | Warrior | 79 |
43 | 44 | ROLLING STONES | Living In A Ghost Town | 75 |
44 | 46 | OTHERWISE | Crossfire | 61 |
45 | 51 | TWENTY ONE PILOTS | Level Of Concern | 49 |
46 | 49 | POP EVIL | Let The Chaos Reign | 46 |
47 | 52 | JJ WILDE | The Rush | 43 |
48 | 84 | 10 YEARS | The Shift | 42 |
49 | 48 | MACHINE HEAD | Circle The Drain | 38 |
50 | 50 | OVTLIER | Buried Me Alive | 33 |
PUBLISHER’S PICK OF THE WEEK (By Adam Waldman)
ANY GIVEN SIN – “Insidious”
You know that an up-and-coming band is onto something when you look forward to the release of each new single with anticipation. Given the fact that there is a plethora of new music being released constantly, it’s easy to get lost in the crowd. But Any Given Sin is a different type of band. Their penchant for writing songs with infectious melodies that linger in your head long after the music stops, combined with heavy, pulsating rhythms that give them a sound that feels like it is meant to echo throughout arenas (once shows start again), instantly makes them a band to put on your radar.
What drew me to Any Given Sin with the release of their first hit single (“Dynamite”) was the clear influence of Shinedown. This time around with “Insidious” the band emerges from the Shinedown shadows with something a bit more intense. It’s been said a number of times on Hard Rock Daddy, and will likely continue to be said going forward, producer Chris Dawson has an incredible knack for bringing out the best of what each band that he works with has to offer. If you know his work, you can almost tell within the first 30 seconds of this song that his stamp is on it. There is a distinct sonic intensity that harkens back to a time when songs were written with arenas in mind.
What I love about “Insidious” (especially with headphones) is the unique presence of haunting keyboards filling in the spaces between the freight train like riffs. At times, the keyboards are subtle, while taking center stage at key moments during the song. When Mike Conner isn’t pounding your ears with relentless riffs, he is showcasing a solo style that has a theatricality that you find more often in European metal than typical active rock songs. It’s nuances like this that separate Any Given Sin from the pack. While Vic Richie can make you believe that he is the second coming of Brent Smith at times (no easy feat), on “Insidious,” he shows a different side of himself. Still passionate and bold, but more closely resembling Chris Daughtry than Smith.
I’m tempted to say that the third time will be a charm, but since Any Given Sin’s first two singles were both radio hits, I think it’s best to say that the third time will continue to prove that this band is on a clear path to becoming a household name in the rock world sooner rather than later.
HRD SPIN CONTROL (by Adam Waldman and Jon Loveless)
The following is a list of songs that we feel deserve to be added to Active Rock playlists…
ANY GIVEN SIN – “Insidious”
KINGDOM COLLAPSE – “Uprise”
THE VIOLENT – “Fly On The Wall”
TENSE MACHINE – “Best Mistake”
COLD KINGDOM – “Devil In Me”
THE OUTFIT – “Come Alive”
ARMORED DAWN – “Zombie Viking”
DEAD DAISIES – “Unspoken”
THE WILD! – “King Of This Town”
ALL TIME LOW – “Monsters”
KIRRA – “Caving In”
TENSE MACHINE – “Best Mistake”
DEAD GIRLS ACADEMY – “This Is War”
SLAVES – “Talk To A Friend”
DISCREPANCIES – “Undertow”
PARALANDRA – “Love Will Win”
WITHIN TEMPTATION – “Entertain You”
GREATEST GAINERS…
PRETTY RECKLESS – “Death By Rock And Roll” (+284 spins)
FIVE FINGER DEATH PUNCH – “A Little Bit Off” (+200 spins)
SHINEDOWN – “Atlas Falls” (+119 spins)
VOLBEAT – “Leviathan” (+104 spins)
POP EVIL – “Work” (+101 spins)
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