HRD Radio Report – Week Ending 11/23/19
Each week on HardRockDaddy.com. The HRD Radio Report digs deeper into the weekly Active Rock charts, providing commentary, reviews, recommendations and predictions. It also features opinion pieces on chart action and the music business in general. The following is the Active Rock Mediabase Chart for the week ending 11/23/19. All exclusive HRD content is featured below the chart:
CHART | CHART | ARTIST | SONG TITLE | RADIO |
POSITION | POSITION | SPINS | ||
THIS WEEK | LAST WEEK | |||
1 | 3 | BADFLOWER | “The Jester” | 1776 |
2 | 2 | PAPA ROACH | “Come Around” | 1767 |
3 | 1 | HIGHLY SUSPECT | “16” | 1670 |
4 | 8 | OZZY OSBOURNE | “Under The Graveyard” | 1421 |
5 | 5 | DINOSAUR PILE-UP | “Back Foot” | 1397 |
6 | 6 | BAD WOLVES | “Killing Me Slowly” | 1355 |
7 | 9 | SKILLET | “Legendary” | 1146 |
8 | 4 | GREEN DAY | “Father Of All…” | 1090 |
9 | 11 | SHINEDOWN | “ATTENTION ATTENTION” | 1060 |
10 | 10 | PUDDLE OF MUDD | “Uh Oh” | 1058 |
11 | 12 | THEORY OF A DEADMAN | “History Of Violence” | 1049 |
12 | 13 | SAINT ASONIA (f. SULLY ERNA) | “The Hunted” | 974 |
13 | 14 | TOOL | “Fear Inoculum” | 776 |
14 | 19 | VOLBEAT (f. NEIL FALLON) | “Die To Live” | 668 |
15 | 15 | ICE NINE KILLS | “SAVAGES” | 658 |
16 | 17 | FOZZY | “Nowhere To Run” | 657 |
17 | 16 | STARSET | “Manifest” | 646 |
18 | 20 | I PREVAIL | “Hurricane” | 626 |
19 | 18 | KILLSWITCH ENGAGE | “I Am Broken Too” | 626 |
20 | 22 | CROBOT | “Low Life” | 604 |
21 | 21 | FIRE FROM THE GODS | “Right Now” | 596 |
22 | 24 | THE HU (f. FATN) | “Yuve Yuve Yu” | 566 |
23 | 23 | WEEZER | “The End Of The Game” | 516 |
24 | 25 | HALESTORM | “Black Vultures” | 447 |
25 | 31 | DIRTY HONEY | “Rolling 7’s” | 414 |
26 | 26 | SLIPKNOT | “Nero Forte” | 396 |
27 | 30 | THROUGH FIRE | “All Animal” | 334 |
28 | 32 | WHISKEY MYERS | “Gasoline” | 303 |
29 | 29 | POST MALONE (f. OZZY OSBOURNE) | “Take What You Want” | 279 |
30 | 33 | BONES UK | “Pretty Waste” | 229 |
31 | 34 | THE BLUE STONES | “Shakin’ Off The Rust” | 217 |
32 | 27 | BLACK KEYS | “Go” | 196 |
33 | 28 | A DAY TO REMEMBER | “Degenerates” | 193 |
34 | 36 | OTHERWISE | “Lifted” | 171 |
35 | 40 | SUM 41 | “Never There” | 163 |
36 | 38 | ANY GIVEN SIN | “Another Life” | 162 |
37 | 39 | RUBIKON | “Blood On My Hands” | 145 |
38 | 37 | NEW YEARS DAY | “Come For Me” | 137 |
39 | 43 | THE BLACK MOODS | “Whatcha Got” | 132 |
40 | 41 | ROYAL BLISS | “Paranoid” | 131 |
41 | 48 | CLINT LOWERY | “Kings” | 115 |
42 | 42 | SLEEPING WITH SIRENS | “Agree To Disagree” | 114 |
43 | 47 | BRING ME THE HORIZON | “Ludens” | 111 |
44 | 0 | OZZY OSBOURNE | “Straight To Hell” | 102 |
45 | 45 | JASTA | “When The Contagion Is You” | 102 |
46 | 44 | KOBRA AND THE LOTUS | “Burn!” | 95 |
47 | 62 | GHOST HOUNDS | “Fire Under Water” | 74 |
48 | 54 | 93PUNX/VIC MENSA/TRAVIS BARKER | “3 Years Sober” | 67 |
49 | 61 | SAUL | “Trial By Fire” | 65 |
50 | 57 | HOLLYWOOD UNDEAD | “Already Dead” | 65 |
PUBLISHER’S PICK OF THE WEEK (By Adam Waldman)
OZZY OSBOURNE – “Under The Graveyard”
Facing your own mortality is incredibly sobering. During his days of debauchery (and there were many), you have to think that Ozzy never imagined what life would be like in his seventies. The Prince of Darkness lived like rock stars did once upon a time. It’s one of the things that made him an icon. Beneath it all, there was always a childlike innocence though. I actually experienced it firsthand back in 1989 when I scored an all-access pass as a production assistant for his show at the Tower Theater near Philadelphia. Before the show, I somehow ended up in a room with Ozzy, Sharon and their three kids. We chatted as Ozzy rode on a exercise bike while a stylist did his hair. After the show, I continued to push my luck, and once again ended up in the room alone with Ozzy and Sharon. Towards the end of the concert – during “Crazy Train” – Ozzy invited the entire crowd up on the stage. I was almost trampled in the rush, working in the pit area to protect all of the wires being used to record the show for King Biscuit Television (the first and last concert that would be attempted). When I mentioned to him that it was crazy what happened, with genuine surprise, he stated “I didn’t think that they would come.”
In 2002, the rest of the world would get to know the childlike innocence of Ozzy when The Osbournes aired on MTV. The show made you forget that this was the same man who bit the head off of a live bat, and made you see him as a family man. Not long after the show debuted, my son was born. It made me appreciate Ozzy as a dad, and not just a rock and roll legend. My son turned eight around the time that Scream was released in 2010. I made sure to take him to see Ozzy (with Slash/Myles Kennedy opening) on that tour, because I didn’t know if he’d get the opportunity again.
Ozzy has dealt with his fair share of maladies in recent years, which undoubtedly brought his mortality to the forefront. That, and watching so many of his peers die before their time. I admit that I was a bit surprised to hear that he would be releasing an album after all these years, but appreciative just the same. The darkness that has always been a part of his lyrics now feels more realistic. “Under The Graveyard” is a painful dose of reality about the aging process, and what it feels like when you approach the age where many rock stars have died.
“Under The Graveyard” has made a big splash since its release, and not just because it’s the first new music from Ozzy in nearly a decade. Nor is it because of some sense of nostalgia, or fear that this could be the last album of his career. It’s because the song is classic Ozzy, and he is among a handful of artists whose appeal crosses generational divides. The lyrics may be sobering, but the song was well worth the wait.
HRD SPIN CONTROL (by Adam Waldman and Jon Loveless)
The following is a list of songs that we feel deserve to be added to Active Rock playlists…
CROWN THE EMPIRE – “BLURRY (out of place)”
UGLY MELON – “If You’re Wrong”
THE WILD! – “Playing With Fire”
LULLWATER – “Dark Divided”
GOODBYE JUNE – “Secrets In The Sunset”
AIRBOURNE – “Boneshaker”
THE WHO – “All This Music Must Fade”
THE WILKOFF PROJECT – “Magic”
ANOTHER LOST YEAR – “H.O.M.E.”
MORETTA – “In Need Of Better”
BONDS OF MARA – “Lights Out”
SILVERSTEIN – “Burn It Down”
BIG WRECK – “One More Chance”
MARCUS KING – “The Well”
BRITISH LION – “Lightning”
SEVEN PAST SUNSET – “Need”
GREATEST GAINERS…
OZZY OSBOURNE – “Under The Graveyard” (+306 spins)
BADFLOWER – “The Jester” (+254 spins)
DIRTY HONEY – “Rolling 7’s” (+123 spins)
THE HU (f. FATN) – “Yuve Yuve Yu” (+117 spins)
OZZY OSBOURNE – “Straight To Hell” (+102 spins)
VOLBEAT (f. NEIL FALLON) – “Die To Live” (+100 spins)
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